Pastoralia

Pastoralia

Stories

Book - 2000
Average Rating:
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Penguin Putnam
From the #1 New York Times bestselling author of the novel Lincoln in the Bardo and the story collection Tenth of December, a 2013 National Book Award Finalist for Fiction.

Hailed by Thomas Pynchon as "graceful, dark, authentic, and funny," George Saunders now surpasses his New York Times Notable Book, CivilWarLand in Bad Decline, with this bestselling collection of stories set against a warped, hilarious, and terrifyingly recognizable American landscape.

One of Entertainment Weekly’s Ten Best Books of the Year

"Artful and sophisicated... truly unusual. Imagine Lewis's Babbitt thrown into the backseat of a car going cross-country, driven by R. Crumb, Matt Groening, Lynda Barry, Harvey Pekar, or Spike Jonze." -- The New York Times

"Saunders is a provocateur, a moralist, a zealot, a lefty, and a funny, funny writer, and the stories in Pastoralia delight. We're very luck to have them." -- Esquire



Random House, Inc.
A stunning collection including the story "Sea Oak," from the #1 New York Times bestselling author of the Man Booker Prize-winning novel Lincoln in the Bardo and the story collection Tenth of December, a 2013 National Book Award Finalist for Fiction.

Hailed by Thomas Pynchon as "graceful, dark, authentic, and funny," George Saunders gives us, in his inventive and beloved voice, this bestselling collection of stories set against a warped, hilarious, and terrifyingly recognizable American landscape.

Baker & Taylor
A collection of stories by the author of CivilWarLand in Bad Decline focuses on a somewhat skewed version of America and includes the misadventures of a male exotic dancer who is haunted by a departed maiden aunt and a self-help guru given to colorful metaphors. Reprint.

Blackwell North Amer
From the #1 New York Times bestselling author of the Man Booker Prize-winning novel Lincoln in the Bardo and the story collection Tenth of December, a 2013 National Book Award Finalist for Fiction.

Hailed by Thomas Pynchon as "graceful, dark, authentic, and funny," George Saunders now surpasses his New York Times Notable Book, CivilWarLand in Bad Decline, with this bestselling collection of stories set against a warped, hilarious, and terrifyingly recognizable American landscape.

One of Entertainment Weekly’s Ten Best Books of the Year

"Artful and sophisicated... truly unusual. Imagine Lewis's Babbitt thrown into the backseat of a car going cross-country, driven by R. Crumb, Matt Groening, Lynda Barry, Harvey Pekar, or Spike Jonze." -- The New York Times

"Saunders is a provocateur, a moralist, a zealot, a lefty, and a funny, funny writer, and the stories in Pastoralia delight. We're very luck to have them." -- Esquire



Publisher: New York : Riverhead Books, c2000
Edition: 1st Riverhead trade pbk. ed
ISBN: 9781573228725
1573228729
Branch Call Number: F SAU
Characteristics: 188 p. ; 21 cm

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seabun
Nov 29, 2017

Intended to just read "Sea Oak", a requirement for school, enjoyed the story enough to read the rest of this collection. For me, while I found portions of each tale funny, sad, interesting and/or gripping, it was really a few that left me wanting more and really moved, while the others were just okay. Other than Sea Oak, which I've seen might be a show on Amazon now, the stories I really liked, namely because I wanted to know more, to keep reading, were "The End of FIRPO in the World" and "The Barber's Unhappiness." Each were quite short, and I felt great disappointment upon turning the last page only to see the next story starting. In their brevity, Saunders captivated my attention with colorful, exaggerated-yet-familiar, fully articulated characters that I felt a connection to, laughed at their idiosyncrasies and felt pangs of sadness at their flaws. I found myself thinking about them long after putting the book down, which to me is a sign the author did something right.
Of the other two stories, "The Falls" was intriguing if a little unfulfilling. It felt the most incomplete, perhaps? And lastly, the titular "Pastoralia", being the longest tale, surely encapsulated an entire world and the faceless bosses, only referenced through rambling funny faxes, were infuriating in their incompetence, as well as their familiarity.
This was my first introduction to George Saunders, and I can't say I'd have ever come across this book without my school's nudge, but I am glad I did. Definitely want to read at least one more Saunders collection to see what else he comes up with. My only real critique or hesitation would be that the humor of the satire was almost uniformly outweighed by the despair, the sadness, the utter hopelessness of some of the characters' situations, which can be at times a little overwhelming. I don't mind dystopian tales, having recently thoroughly enjoyed Alexander Weinstein's "Children of the New World," but maybe I prefer a little more hope or ha-ha with my long looks in the mirror.

n
nbradley2
Jul 24, 2017

This short story collection is chock-full of wild, satirical tales with a sharp emotional edge. As always, Saunders writes with a mastery of voice, pacing, and intrigue. Though his stories are often a bit vulgar and grisly, Saunders always writes with a strong intent to make you feel things, and not just shock. Most short stories end on an 'open' note that, I think, forces you to evaluate your emotions at the end of the story; I am still wrestling with I how I felt reading some of these stories weeks later.

I will recommend this collection (and all other Saunders works) until the day I die.

p
paul5151
Jan 04, 2016

To paraphrase Saunders "why are the losers in this world being kicked so hard when they're down?" Satire my friends.k

l
lukasevansherman
Mar 30, 2013

Saunders is maybe the most acclaimed short story writer currently working, although I am struggling to figure out why. I just read his latest collection, "Tenth of December," and couldn't get into it. I feel the same way about this earlier book. I think the ideal audience are those who find the irony-heavy humor of "McSweeney's" enjoyable. I just don't get this guy.

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