Random House, Inc.
DISPONIBLE POR PRIMERA VEZ EN EBOOK
La célebre autora de La casa en Mango Street, nos ofrece una nueva y extraordinaria novela narrada en un lenguaje de una originalidad arro-lladora: es la historia de varias generaciones de una familia méxicoamericana cuyas voces crean un des-lumbrante y vivo tapiz de humor y de pasión, hecho con la esencia misma de la vida.
La abuela de Lala Reyes es descendiente de una familia de afamados reboceros. El rebozo de rayas color caramelo es el más bello de todos y aquél que llega a pertenecer a Lala, al igual que la historia familiar que éste representa. La novela comienza con el viaje anual en automóvil de los Reyes—una caravana desbordante de niños, risas y pleitos— desde Chicago hasta el «otro lado»: la Ciudad de México. Es aquí que Lala cada año escucha las historias de su familia y trata de separar la verdad de las «mentiras sanas» que han resonado de una generación a otra. Viajamos desde la Ciudad de México, que era el «París del Nuevo Mundo» a las calles llenas de música de Chicago en los albores de los locos años veinte y, finalmente, a la difícil adolescencia de Lala en la tierra no tan exactamente prometida de San Antonio, Texas.
Caramelo es una historia sabia, vital y romántica, sobre el lugar de origen, algunas veces real, algu-nas veces imaginado. Vívida, graciosa, íntima e histórica, es una obra brillante destinada a convertirse en un clásico: una nueva novela de gran importancia de una de las escritoras más queridas de nuestro país.
In Spanish/ en Español
Every year, Ceyala "Lala" Reyes' family--aunts, uncles, mothers, fathers, and Lala's six older brothers--packs up three cars and, in a wild ride, drive from Chicago to the Little Grandfather and Awful Grandmother's house in Mexico City for the summer. Struggling to find a voice above the boom of her brothers and to understand her place on this side of the border and that, Lala is a shrewd observer of family life. But when she starts telling the Awful Grandmother's life story, seeking clues to how she got to be so awful, grandmother accuses Lala of exaggerating. Soon, a multigenerational family narrative turns into a whirlwind exploration of storytelling, lies, and life. Like the cherished rebozo
, or shawl, that has been passed down through generations of Reyes women, Caramelo
is alive with the vibrations of history, family, and love.
Sandra Cisneros, the award-winning author of the highly acclaimed The House on Mango Street and several other esteemed works, has produced a stunning new novel, Caramelo. This long-anticipated novel is an all-embracing epic of family history, Mexican history, the Mexican-American immigrant experience, and a young Mexican-American woman's road to adulthood. We hope the following questions, discussion topics, and author biography enhance your group's reading of this captivating and masterful literary work. Born the seventh child and only daughter to Zoila and Inocencio Reyes, Celaya Reyes spent her childhood traveling back and forth between her family's home in Chicago to her father's birth home in Mexico City, Mexico. Celaya's intimidating paternal grandmother, adored and revered by Celaya's father, dominates these visits, and Celaya dubs her the Awful Grandmother. Celaya's story begins one summer in Mexico when she was just a little girl, but soon her girlhood experiences segue back in time–to before Celaya was born–to her grandparents' history. Celaya traces the Awful Grandmother's lonely and unhappy childhood in a Mexico ravaged by the Mexican revolution of 1911, her meeting and ultimate union with Celaya's grandfather, Narciso Reyes (the Little Grandfather), and the birth of their first and favorite son, Celaya's father, Inocencio. Inocencio Reyes moves to the United States as a young man, and soon meets Zoila, a Mexican-American woman, with her own colorful mixed-Mexican parentage. Celaya develops the portrait of her parents' love-based, but volatile, marriage and the growth of their own Mexican-American family. After the Little Grandfather's death, the family moves the Awful Grandmother up to the United States with them, first to Chicago, then to San Antonio. Soon afterward, the Awful Grandmother dies, leaving her teenage granddaughter to struggle with her unresolved relationship with her late grandmother. Through her grandmother's history, Celaya discovers her own Mexican-American heritage, enabling her ultimately to carve out an identity of her own in the two countries she inhabits and that inhabit her–Mexico and America. As the family's self-appointed historian, or storyteller, Celaya's tale weaves Mexican social, political, and military history around intimate family secrets and the stormy and often mysterious relationships among multiple generations of family members. The marvelous, often riotous cast of characters that march through time and across the North American continent ranges from close family members to Mexican-American icons of popular culture that have random encounters with the Reyes family. (Remember Senor Wences with his painted talking hand (p. 224)? The spirited, likeable characters, while at times mythological in their characteristics, are always intensely human in their flaws and emotions. While each character can claim equal footing in the Reyes web of family and history, each holds a role of differing significance in Celaya's personal odyssey of connecting to her roots and carving her future.Baker & Taylor
During her family's annual car trip from Chicago to Mexico City, Lala Reyes listens to stories about her family, including her grandmother, the descendant of a renowned dynasty of shawl makers, whose magnificent striped (or caramelo) shawl has come into Lala's possession, in a multi-generational saga of a Mexican-American family. (General Fiction)Baker
During her family's annual car trip from Chicago to Mexico City, Lala Reyes listens to stories about her family, including her grandmother, the descendant of a renowned dynasty of shawl makers, whose magnificent striped shawl has come into Lala's possession.